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Bye
Bye Blackbird
is an elegaic sequel to the celebrated Live Evil: A Homage to Miles
Davis. There is a hint of sadness in these final poems, a completion
of a life well-lived. From his beginnings as the doctor’s son, listening
to bebop artists such as Dizzy and Bird,. to the more expansive psychedelic
jazz of his later years, expressed by his Bitch’s Brew
album, Miles Davis has had a profound influence on subsequent generations
of musicians. Richard Stevenson writes like a true jazz fan, in poetic
admiration for another artist, his imagination swelling with the music
of jazz. This new volume is a compelling and fresh approach to the story
of Miles Davis, the man and the musician, who has been called a musical
genius: in an approachable and colloquial language, we hear the resonance
of Miles Davis's voice speaking through the poetry. Stevenson unravels
the intricate relationships of his life, to reveal the truth behind the
man. In a colloquial and conversational tone, Bye Bye Blackbird
is a farewell elegy to a jazz great who still seems vitally present.
Richard Stevenson
received the Stephan G. Stephansson Award for poetry for From The
Mouths of Angels (Ekstasis Editions, 1993). His other poetry titles
with Ekstasis include Flying Coffins, Nothing Definite Yeti (for
young adults), Hot Flashes: Maiduguri Haiku, Senryu,and Tanka
and Charm of Finches. He lives in Lethbridge, Alberta and teaches
Business Communication, Creative Writing, Composition and Canadian Literature
at Lethbridge Community College. |
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